
Racism and Improv.
Racism is not okay. Bottom line. No questions asked. I don't think I need to explain why it's not cool, I assume anyone reading this is smart enough to figure that out. Now, with that said, surprisingly there is a place for racism in improv. Improv is an art form. We are actors who are hopefully painting a picture of a world we can bring our audience into each time we play. A world made of up different characters in different situations, but real situations and real characters. ENTER RACISM.
I was in a late night show the other night and it's more prone to being blue and "going there." That is just what the show is all about. Well, in this show some of the newer players were doing "bits" and not scenes. Those "bits" had some terribly racist comments in them that made me feel very uncomfortable and got me pretty worked up. I consider myself to be a strong player who can play through something like that or turn that "racist comment" a fellow player may have made into something that will make him/her look good...and NOT racist. Last night I feel like I failed. I got so upset and frustrated, I had to leave the show. There were NO scenes going on. Nothing in context and to me, the comments that were being made just seemed like the "comedian" making a racist joke or doing shock comedy. One of the players was a black guy. A friend of mine and during the show it made my stomach turn and I think I started to rage a little. There was nothing okay about what was going on. I felt like my friend was being attacked and I didn't think he or the audience for that matter, deserved to be subject to that type of "theatre." If it could even be considered theatre. When you call another player on stage "token black guy", WHO IS BLACK, that is
NOT improvising. That is just calling out what you see. When you improvise you should immediately be able to see, touch, feel and smell your imaginary world. It's called playing, and at the very least, it should help you with your scene if you are ever stuck. You can go to the world you created in your mind (which should be real now) and touch it and share it with your scene partner. I tried on a few occasions to rectify what was going on, but I kept getting shut down or steamrolled by fellow players. In the end, I am disappointed in myself that I was not strong enough at that moment to play through it, but I guess on some nights we each have our limits and can only take so much. Last night was one of those nights.
Racism, stereotyping, sexism, weightism (is that a word?) are all okay to perform on stage. Seriously. However, if you are going to do that on stage, it has to be character driven, with a point of view, and in the context of a scene. Many times during an improv show, we will get some pretty blue suggestions like:
1. Dildo
2. Gangbang
3. Nigger
4. Faggot
Some pretty ignorant suggestions that are unbelievably stupid (in my opinion). Now, usually what the audience is expecting to see is a bunch of scenes where we just say, "Hey nigger...get back to work." Or, "You fags want some cocks in your mouth?" Honestly, that's what most people who suggest those words are hoping they will see. Well, it's our job as improvisers to be smarter than that. To show them "Nigger", but in a way they never thought they would see. Usually, what ends up happening, is we do a smart round of scenes and make fun of the incredibly ignorant people that actually think this way. This is our chance to show the entire world (the audience) how truly stupid racist people are.
So, we do end up saying, gook, kike, and faggot, but all in the context of scenes through characters who have a point of view. So an example of an edgy scene WITH context that would be okay if the suggestion was "Faggot" would be something like this:
A gay couple are holding hands about to order a meal at Taco Bell. A redneck sits behind them waiting.
Gay Guy 1 - Honey, I love you so much.
Gay Guy 2 - Yeah, well I love you too, Steven. More than the entire earth!
Gay Guy 1 - Are you my little putty cat?
Redneck guy - (not so under his breath) Aww, Jesus H. Christ. Are you kidding me?
Gay Guy 2 - Not in Taco Bell, Toddypoo. You're naughty...and nasty!
Gay Guy 1 - Hey, I just love being with you. You light up my life. (He touches his nipple) Hey, is that nasty enough for you?!
Redneck - Are you faggots fucking kidding me?
Gay Guy 2 - Excuse me. Is there a problem?
(getting a little bit louder now)
Redneck guy - Yeah, the problem is you two. You don't see me out here jerking off my dog, do you?
Gay Guy 1 - That's disgusting sir. I'm sorry you're not comfortable enough with your own sexuality that you feel threatened by me and (to Gay Guy 2) my little putty cat! Meoowww!
(Gay Guy 1 makes a kissing noise and starts sucking Gay Guy 2's finger)
Gay Guy 2 - ohhh...stop it u! You get me so excited!
Redneck - you fags should all be put on an island...that's what should happen with you.
ENTER GAY POLICE OFFICER
(takes off his hat)
Police officer - Is there a problem here sirs?
Redneck - Yes. (he points at the couple) Gays. That's what. We should do with them what we did to the Jews. Gas em. And put em in a hole.
Police officer - Oh really...well maybe you just haven't had the right experience with gays.
Redneck - The right experience?
Police officer - (winks at the gay guys) Hit it boys.
(Gay Guy 1 and Gay Guy 2 start singing "One More Time" by Daft Punk. The Police officer starts dancing erotically. The gay guys join in. Then the Redneck commits suicide by shooting himself in the face with his shotgun.)
Okay, so that wasn't the most realistic improv scene ever, BUT for this purpose, in the context of what was going on, it was perfectly okay to say "queer," "faggot," or "Jew". You could replace the words in that scene with any...Niggers, Kike's, Gooks....and I think it would have been okay because there were grounded characters and actual points of view.
Keep the integrity. Have a point of view and it's not racism. If you just go out there and think you're entitled to say whatever you want because you're out there...then it is racist...and you just suck.